AKIO MORITA
In the second half of the 20th century everyone was talking about the phenomenal upsurge the Japanese economy was going through, and the Sony Corporation Akio Morita had created with Masaru Ibuka was a shining symbol of that spectacular breakthrough.  The ultimate fruit of the forces generating that growth, Sony, unlike other companies who were busily grabbing the European and American markets, was a relative newcomer with no roots in the traditional Japanese business.  Its success resulted from a combination of national Japanese tradition and cultural interaction with the West. Akio Morita was the ultimate manifestation of that mutually rewarding merger. 
     He was born in Nagoya, Japan, in 1921, the son of a wealthy sake brewer groomed from the third grade to become the successor of a 14-generation family business.  As the eldest son, he was destined to someday take over from his father, but as Japan’s defeat in the war now looked more and more inevitable, especially after the Americans dropped an atomic bomb on Hiroshima in August 1945, the life of Akio Morita, then a 24-year-old student at Osaka University, was never to be the same again… An educated young man, Akio realized full well that his country’s technological lag was so gaping that emulating Western technological know-how was the only right way to go. Raised in an educated family, Akio was best suited for affecting that much-needed transition. Growing amid imported household machinery, Akio was a great fan of Hollywood films and, therefore, a vocal advocate of all cultural things Western. 
   Falling in love with sound recording gear early on, Akio Morita made up his mind to single-handedly design a tape reorder. Because he was all but at the head of his class, Morita had to work real hard to catch up on his physics. That’s how he became a Ronin – that’s what ancient Japanese used to call a samurai whose master had either gone away or died.  In the 20th century Ronin meant a laggard student forced to study all by himself to catch up on the rest of his class. In a sense, Akio was a Ronin for life always trying to catch up with the West relying entirely on his own resources. 
            
              The would-be Sony Corporation originally started out of a tiny room on the bomb-shelled university premises in Tokyo where eight people crammed in all set to launch just about any business. Today it’s hard to imagine the place the first Sony tape recorder originally came out from. There was a rope laden with drying diapers barring access to the company headquarters the would-be millionaires had to ease their way through to get to their workplace.  The roof was leaking, so they often had to open up umbrellas to stay dry. The manufacturing process was very primitive; the magnetic tape was made by hand. Morita would cut long ribbons of cellophane tape adding on all kinds of magnetic substances to make it look like the real thing.  Despite all that start-up hassle, the first Sony tape recorder came out in 1950. It was a huge box weighing at a whopping 35 kilograms no one wanted to buy. Morita had to move Stateside to acquire a patent for the production of the transistor he needed to radically miniaturize his products.  The Japanese obtained the patent and, upgrading the transistor, geared up to take the whole world by storm.  This is when the original name, SONNY, actually came about. Morita and Sony co-founder Masaru Ibuka took the Latin world Sonus, lobbed off the last two letters and added “n” and “y”. However, because the resultant word, SONNY, means in Japanese “to lose money”, they decided to eliminate one “n”  - hence the mysterious work which has since become a household name all around the world. 
 In 1957 Sony came up with the world’s smallest transistor radio and two years later followed up with the world’s first transistor TV.  More technological wonders followed, and by the onset of the 1980s Sony was already an internationally established electronics giant looking to consolidate its hard-earned success.  Morita was crisscrossing the world opening up new branches. Like a true-blue Japanese workaholic, he labored hard and fast, like a firefighter. It was apparently with this trait in mind, however, that colleagues from his New York branch once gave him a firefighter’s headset as a gift. 
 Now 72, Akio Morita kept working on like he did 40 years before that. Each Thursday he would get up at seven in the morning and head to the tennis court sweating there for an hour or two.
It was there that he ultimately collapsed in 1993 with a brain hemorrhage spending the next five years confined to a wheelchair…
The 20th century catapulted Japan to unheard of before heights, but it also confronted it with a maze of serious problems. Akio Morita did not live to see that. He died of pneumonia in 1999…
 
Copyright © 2003 The Voice of Russia