DMITRY SHOSTAKOVICH
By Olga Fyodorova
 
…It is January 28, 1936 in the Shostakoviches’ apartment in Leningrad. 

    “Good morning, Nina! You’re reading a newspaper, as usual, aren’t you? 
What are they writing in Pravda today? Well, you don’t have to tell me, I already know. First, there is an article about the great and wise Josef Stalin, then about a factory over fulfilling their plan for the great leader’s sake, then about milkmaids who have talked their cows into giving more milk, also in the name of our great beloved, then…”
“Exactly as you say. Nothing new… Oh, wait a minute! There’s something about music here. A huge story… Called Chaos Instead of Music…”
“Read it and then tell me at breakfast who’s that poor devil they are trampling underfoot, will you?”
“Mitya! It’s about you! About your Lady Macbeth of Mtsensk opera!”
“Really?  I‘m so proud they write about me in Pravda! And what does it say?”
“My God, they are taking on you real hard! I can’t read this. How can they say this about an opera that’s been packing houses here and in Moscow for more than a year now?!”
“Who’s the author?”
“It’s unsigned… Does it mean it’s an editorial or what?”
“No, it means that it’s been ordered by some swell in the Kremlin. Maybe even Stalin himself. Remember how he dropped in to see the premiere at the Bolshoi?”
 “Yeah, he sat there for a while and then walked out. I guess he didn’t like it. I guess everyone will start discussing the article now. What’s going to happen next?  We’ll see… They will cancel the opera and you will have to get my things ready for jail. I fear they might take you in too, branding you as an “enemy of the people”, don’t you think?”
   The events unfolded in a very predictable way with factory workers, peasants, writers and, of course, music historians and fellow composers, all accusing Shostakovich of all deadly sins. The theaters immediately gave up on Lady Macbeth… and the only thing the composer didn’t guess right was that the state security didn’t pick him up. They banned all his other works for a long, long time though…
 To ease the pain and frustration all that witch-hunting had had on him, Shostakovich started working on his Fourth Symphony – one of the most tragic pieces he ever wrote.  It didn’t see daylight though because the composer was forced to give it all up and tell the Leningrad Philharmonic orchestra that the thing needed some brushing up. He realized all too well that this one would also be denounced and that would be something his broken heart just couldn’t live with…
 The Fourth Symphony premiered only 25 years later, without a single note changed in the original score.
 The famous Leningrad Symphony brought a brief respite making life a little bit easier for the composer who wrote it in the besieged and famine-stricken Leningrad in between Nazi bombing raids and nights spent on the Conservatory’s roof putting out incendiary bombs the Germans kept dropping down on the city.  The Leningrad Symphony became a powerful symbol of the citizens’ unbending courage and perseverance…
 The Leningrad Symphony was first performed in public in Kuybyshev, now Samara, on the Volga where all government organizations were moved during the war. It was later played in Moscow and New York, but its performance in the Nazi-besieged Leningrad was absolutely astounding… Freezing and emaciated, the musicians gave all they got to play it all in a stirring show of the resistance spirit that kept them going against all odds…
 To most people Dmitry Shostakovich is mainly the author of towering masterpieces of the tragic, but he actually started out writing mischievous, funny and virtuosic jazz and music hall pieces, movie soundtracks and once even worked as a ballroom pianist.  And his early ballets are literally awash with the happy sun-filled nonchalance of youth…
 Just like his first piano pieces he so masterfully played himself…
 Small wonder because Dmitry Shostakovich was a terrific pianist and a winner of the First Chopin International Piano Competition in Warsaw...
 He loved playing concerts and often unveiled his new instrumentals to the public. In the early 1960s he had to quit the stage though suffering from a strange illness that affected his hands making them limp and insensitive. There was nothing his doctors could do about it. They were treating his hands but it was really his much-suffering soul that had to be cured... Indeed, even the worldwide success of the Leningrad Symphony was not enough to spare the great master the nagging barbs tirelessly directed at him by his envious and much less-endowed enemies. 
 In 1948 they criticized him for being incomprehensible and musically formalistic – a terrible label that under Josef Stalin could easily cost one his freedom and his very life. One of the world’s greatest composers had to spend a large part of his life fearing arrest, publicly admitting his mistakes and eventually even joining the Communist party just to be able to write music…
 Amazingly shy and self-effacing, Dmitry Shostakovich never sought any perks or adulation and still he was widely recognized as a living classic. 
 He was an international celebrity, a holder of the highest awards one could think of and having major festivals held in his honor. One such festival was held in Russia in 1964. It was the first time Shostakovich tried his hand as a conductor hoping that would at least partially compensate for his inability to play his beloved piano. Before very long, however, he realized that the leadership his new profession entailed was definitely not his cup of tea. Realizing that, he never took up the baton again…
 His son Maxim made a great conductor though and he is now performing all around the world conducting his father’s music…
 By the way, Maxim Shostakovich was the first performer of the Fifteenth Symphony which was his father’s “swan song” where the great composer recalled his childhood imaginings and his first love, the tragedies he had lived through and the hopes he cherished pondering life’s futility and man’s immortal soul…
 Dmitry Shostakovich died in August 1975 at the still early age of 68, terminally ill and prematurely aged. Not his soul though, which was still full of inspiration and love. Until his very last day he kept working on…
 
Copyright © 2001 The Voice of Russia