YURI TEMIRKANOV
By Olga Fyodorova
The year 1966… There are two musicians chatting outside the Conservatory Big Hall in Moscow.
“You’re also heading to the conductor’s competition, aren’t you?…”
“Yes, I guess it’s the first such competition we ever had around here…”
“Right. The last time we had a conductor’s contest here was about 30 years ago… You look too young, lady, to remember that, but the names of its winners are now very well known to all. Yevgeny Mravinsky was the first prizewinner then…”
“Oh, really? Are there any big hopefuls now? I guess that, as a jury member, you must know who’s going to win what?” 
“Competition was real tough, you know. We are on the home stretch now and I’m still not sure about the winners, but I know who’s going to fetch the main prize…”
“Are you saying you have a clear leader?”
“Yes, Yuri Temirkanov, a young man from the Caucasus, fresh from the Leningrad Conservatory…  A born conductor, artistic, smart and a good mover too! He is competing in today’s finals and I’m sure he will be all right!”
Yuri Temirkanov was born in December 1938, in Kabardino-Balkaria in the North Caucasus. There were no musicians in his family and classical music was only finding its way into the small autonomous republic.  Impressed by Yuri’s musical talent that was absolutely impossible to hide, his parents sent him to the local music school. At age 13, the young prodigy was advised to go to Leningrad, now St. Petersburg, where he enrolled in a school for musically endowed children under the Leningrad Conservatory. 
The city of many palaces, museums and theaters left an indelible imprint on the young man who had never seen a streetcar before, just like he hadn’t a trolleybus, heard an opera or listened to a live symphony orchestra. It was during that very first symphony concert in his life that Yuri made up his mind to become a conductor…
His road to success was long and winding. Finishing the music school as a viola-player, Temirkanov entered the Conservatory and, graduating from their viola department, he tried his luck again, this time entering the conductor’s department, and was assigned to the class of the formidable Professor Ilya Musin who, quickly appreciating the young man’s talent, gave him a real crash course. The results of this hard work did not take long in coming and Temirkanov conducted a variety of orchestras while still a student, and even had a chance to steer the Maly Opera and Ballet Theater’s orchestra through a presentation of “La Traviata” by Giuseppe Verdi. This was followed by a resounding success at a major national competition in Moscow and, shortly after that, Yuri Temirkanov was appointed to lead one of the city’s symphony orchestras. 
Working hard to expand his repertoire, Temirkanov was now rehearsing symphonies by Beethoven, Mozart, Mahler and Tchaikovsky along with the colorist works of the Impressionists, his inspiration literally mesmerizing the musicians and listeners alike…
In 1976 Yuri Temirkanov was appointed artistic director and chief conductor of Leningrad’s Kirov Opera and Ballet Theater, now the Mariinsky, turning out a constellation of masterpieces, such as the “Dead Souls” by Rodion Shchedrin, “Don Carlos” by Giuseppe Verdi and “The Queen of Spades” by Pyotr Tchaikovsky. 
He also tried his hand as an opera director offering an excellent staging of Tchaikovsky’s “Evgeny Onegin.”
The Seventies saw the beginning of action-packed foreign tours where Yuri Temirkanov partnered on stage with the world’s leading orchestras inviting a flurry of rave reviews in the press…
He found working with an orchestra to be much more interesting than working in the theater though, because working in the theater you only have a definite set of productions to work on while stage appearances offer you a veritable kaleidoscope of different programs. Driven and impulsive, Temirkanov was always on the quest of new impressions. Hence the pride and joy he felt when members of the Leningrad Philharmonic orchestra, the country’s best such outfit, elected him their chief conductor…
In 1988 Yuri Temirkanov took over from the late Yevgeny Mravinsky, the legendary maestro who led the orchestra for nearly half a century. The formidable Mravinsky was not getting any younger, just like his favorites in the orchestra. And still, his phenomenal drive kept the orchestra together, but after he was gone, the whole thing started falling apart… Yuri Temirkanov brought in fresh new blood and set new and very challenging goals. Before very long, Temirkanov’s talent, coupled with hard work, started yielding good results…
Led by their new chief conductor, the Leningrad Philharmonic orchestra made a series of triumphal tours of Europe, the United States and Japan always stunning the audiences with their refined and noble sound, clockwork precision and, above all, the very unorthodox renditions offered by their artistic director…
Yuri Temirkanov’s red-hot interpretations and his towering persona really boggle the mind, the New York Times wrote. His arms are unbelievably expressive and everyone can appreciate the tight precision the orchestra plays with guided by these amazing arms…
Yuri Temirkanov regularly partners on stage with symphony orchestras in London, Berlin, Philadelphia, Vienna, Cleveland, Chicago and New York and has spent the past two years conducting and directing the Baltimore Symphony…
His life is now divided between Russia and America with occasional brief appearances in Europe. And still, Yuri Temirkanov’s heart is always with his beloved city on the Neva where each December he holds the very respectable Arts Square festival that  international megastars never miss a chance to play in. The festival offers dozens of concerts plus Christmas and New Year balls where Yuri Temirkanov is a guest-loving host carefully tending to Music he has so selflessly and diligently served for nearly 60 years now… 
 
Copyright © 2002 The Voice of Russia