THE GREAT RUSSIAN POET MIKHAIL LERMONTOV
In February 1837 Russia mourned the death of its most beloved poet Alexander Pushkin. In those days, so full of sorrow, the attention of the public was attracted by a verse of a young poet, Mikhail Lermontov. In this poem, dedicated entirely to Pushkin’s death and called “On the Death of the Poet,” the young Lermontov expressed his bitterness and anger over the attitude to Pushkin in high society, where they justified the poet’s murderer. The authorities responded by deporting Lermontov in exile to the Caucasus, where a war with the Chechens was on. Strange as it may seem, that very exile made the poet famous.
Mikhail Lermontov was born in Moscow, in 1814, into a noble family. His ancestors on his father’s side came from an old Scottish dynasty, the Lermonts. Members of the dynasty were scattered throughout the globe and one of the branches settled in Russia and came to be known as Lermontovs. 
His mother died when he was three and the boy was raised by his granny, who was so doting on him that  took him away from his loving father. Later on his father would write in his will: “You have wits, my boy, so don’t you ever neglect them but beware of wasting them on useless things: this is an innate gift and you’ll report to God on how you used it one day! You have a good heart, my dear. Thank you, my dear, for your gentle love and attention.”
Undoubtedly, the family drama had an impact on the future poet. He grew up an impressionable introvert, nervous but sensitive to other people’s pain. That’s why his younger days’ lyrics are so painfully tragic and full of profound emotion. 
At 16, Lermontov read a book about Byron and was greatly impressed. He envied this British fellow, who died in Greece, during the Greeks’ liberation struggle. Byron’s works had a lasting effect on Lermontov and in many literary reviews the two go together as close spirits. When identified with Byron, Lermontov said: “Not Byron – of different kind chosen of fate, yet still unknown, outcast as he and driven from home. Yet Russian I – in heart and mind!”
Lermontov was dreaming of a literary career but became an officer graduating from the Guards Officers and Cavalry Cadets School. Exiled to the Caucasus for his verse on Pushkin’s death, Lermontov found himself at the core of the Russian army’s military operations against the Chechens. For courage in action he was repeatedly nominated for government awards in the form of orders and golden weapons. But Emperor Nicholas I had his own view of Lermontov and crossed his name out of the lists of candidates. The poet was upset, since a higher rank would enable him to retire and take up literary work. Nevertheless, while in exile Lermontov produced the best of his works, such as the romantic poems “Mtsyri” and “The Demon,” the psychological novel “A Hero of Our Time,” stories and verses that brought him fame. 
According to contemporaries, Lermontov was not an easy-going person. Clever and sarcastic, he was difficult to make friends with but was, nevertheless, sensitive to love and endlessly devoted to those who had managed to make it into his heart. That very devotion made him demanding. A false note in a relationship caused him to withdraw into himself and struck him off balance to a point where a start-over became unthinkable. In that case he turned sarcastic sparing neither himself nor the people around him. He grew sick of the high-flown and immoral atmosphere he had to live in. His always-present snigger drove a wedge into his relations with a fellow officer, Nikolai Martynov, which resulted in the poet’s tragic death in a duel on July 15th, 1841. 
Lermontov was killed at the age of 27, in the prime of his maturing personality. Being at odds with the society around him, he would have overcome it in time to indulge in what he was destined for – literary work. But he was unprepared for that and cracked under the pressure of everyday life. 
Pushkin and Lermontov always go together in Russian literature as two poetic geniuses. They may change places, of course, depending on the reader’s preferences…  
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